I work in a space in which almost everything is likely to become a drawing.

 

The bidimensional nature of images is confronted to the physical and concrete aspect of a printed sheet of paper. The drawing is the result of an interaction of various tools, as if it were a recording of ephemeral gestures over a surface. The empty sheet of paper is a space that can be shaped by a mark, a fold, a dot. Each image is built through the connection of gestures with concrete space. With a camera in hand, I move in a place that is real, and the space in front of me has the potential to become a tool for an image. The short moment of a shot has a duration that extends by the longer, so called fixed temporality of an image. A photograph or a drawing are objects in their own right. They are mostly made out immaterial things, but they are also physical elements that become part of our four dimensional space-time.

 

With the wall, images become installation objects. The interaction with a place furthers the spatial questioning that holds into each image. The apparently empty area around each image is invariably filled by real space. The ephemeral aspect of an installation gets confronted with the apparent permanence of prints and drawings.

 

Images follow the spiral that extends and contracts itself through the interferences between fact and representation.